BFF FILM & FESTIVAL BLOG
Filmmaker Profile: Loft and Found by Pete O'Hare and Phillip Kibbe
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About The Film
Five millennials with Peter Pan syndrome run an event venue out of their chaotic Brooklyn warehouse loft.
Q&A WITH THE FILMMAKERS
Pete O'Hare, co-director of Loft and Found
What inspired you to create this film, and how did the initial idea come to you?
I found my first place in NYC on Craigslist– a warehouse loft/DIY venue deep in Brooklyn with a stage in the living room, and neighbors who throw sex parties, drug ceremonies, and circus shows. After I moved out, I realized I had to make a show about this place!
Phillip Kibbe, co-director of Loft and Found
Why does this story need to be told now?
Loft and Found explores the challenges of motivation and choice faced by so many millennials (including us!). We also celebrate the power of live community in an era of incessant lonely doomscrolling.
Describe who you want this film to reach.
For millennials (and also Gen Z, Gen X) who have grown up...and for those of us who are still working on it. Those who are passionately still pursuing their dreams, and those who need some inspiration. And also a good laugh!
What do you hope audiences will take away from watching your film?
They say the real miracle of Jesus was keeping 12 close friends in his 30s. It's hard out there! I hope the show will remind people of the importance of creativity, community, and a healthy dose of chaos. And it's never too late to pursue your dreams...or at least to pay your rent.
How do you want people to feel after they see your film?
We hope Loft and Found leaves you feeling like you've spent the night drinking with your best friends.
What was the biggest inspiration behind this film?
The cast is a group of phenomenal actors and performers. This film explores their reality--in real life and in the show, they tirelessly pursue their passions, and have to decide if growing up means giving up. And what does it mean to grow up anyway?
BIOGRAPHIES
Pete O'Hare is an award-winning and two-time Emmy-nominated cinematographer and filmmaker. He has filmed projects for Netflix, ESPN+, NBC, New York Knicks, and directed and filmed the documentary short films MUSE, A Day In September, and Baby Boy A. Pete lived at Unit J, the DIY loft from the show, for six years, and survived! Applying his documentary skill and experience to his friends and former living situation has been a process ten years in the making.
Phil Kibbe is a Brooklyn, NY-based filmmaker who specializes in docu-style content. His feature-length Documentary Float won Best Documentary Award at Charlotte Film Festival and Skyline Film Festival, and he is currently in production on The Bean, a feature-length documentary about the boxer Eric "Butterbean" Esch. He also co-directed the documentary short films A Day In September, and Baby Boy A alongside Pete O’Hare."
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Look Back At It by Felicia Pride
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About The Film
A forty-something single mother gets her groove back with a little assistance from her teenage daughter.
Q&A WITH DIRECTOR FELICIA PRIDE
Felicia Pride, director of Look Back At It
What inspired you to create this film, and how did the initial idea come to you?
The most important women in my life are my mother, sister, and my niece. Individually, they are complex and loving and giving and complicated. Together, they love hard and sometimes messily. And they’re a hoot. LOOK BACK AT IT is loosely based on them. I asked myself what's an extreme thing a daughter could do to show her mother that she wants more for her.
Describe who you want this film to reach.
Black women across generations and then anyone who sees their family in it.
What was your favorite part of making your film? Memories from the process?
I had the opportunity to work with so many family and friends: My mother was location manager. My niece was a P.A. (her first time on set). My bestie did the hair. My cousin acted in it. My homeboy was a P.A. We filmed at my aunt's house. The way that Baltimore showed up for us was incredible. The set felt like family. Like home.
Tell us an anecdote about casting or working with your actors.
More than half of our cast is from Baltimore, including our lead actress Angel Laketa Moore. I was also able to work with my cousin Aaron Watkins who played Dante in the film.
How do you feel about your film being screened in front of a festival audience?
It is one of the best feelings in the world. A mix of nerves, exhilaration, validation, and satisfaction.
BIOGRAPHY
Felicia Pride is a TV writer / producer and an award-winning filmmaker (BEL-AIR, GREY’S ANATOMY, QUEEN SUGAR, REALLY LOVE) who’s career in media and entertainment has spanned almost twenty-five years. Felicia founded and runs HONEY CHILE, a media + production company that tells stories by, for, and/or about Black women 40+. HONEY CHILE currently has projects setup at Netflix, Amazon, CBS Studios, Universal, Sony, and Lifetime. The first podcast out of its audio division, CHILE, PLEASE, was twice-nominated for an NAACP Image award. Its latest feature film proof of concept, LOOK BACK AT IT, which Felicia wrote and directed, was nominated for a Humanitas Prize and won the Audience Award at BlackStar.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Night Session by Ballard C. Boyd
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
When a burglar unexpectedly runs into a homeowner during a theft, the robbery morphs into a makeshift therapy session, with the burglar helping the homeowner process his impending divorce - all while the homeowner helps to rob his own apartment.
Q&A WITH DIRECTOR BALLARD C. BOYD
Ballard C. Boyd, director of Night Session
What inspired you to create this film, and how did the initial idea come to you?
The film was written by my friend David Bizzaro and me, at a time that I was away from work on parental leave and I was looking for a creative project to work on, since I know I get itchy if I not working on something. It’s been so long ago, but I believe he pitched me a premise about a therapist, and then also a separate setup involving a burglar. We didn’t use the initial burglar premise, but it inspired us to come up with “what if this happened instead”. then we ended up combining parts of the two concepts together. The comedy beats of the story (and the turns & escalations) came together really quickly in an outline, but then it took several weeks to find the actual structure of the conversation between the homeowner and burglar that became a therapy session and was woven throughout. However, the whole time we had Richard Kind in mind for the homeowner, because we’re such fans. The fact that he responded to the script when we sent it to him (which was kind of a Hail Mary approach) and agreed to do it - and then was such a joy to work with and elevated the hell out of our script - is still amazing.
Can you tell us about the central themes of your film? What message or emotion did you hope to convey?
We were really interested in the idea of two people, who otherwise shouldn’t ever meet or have a reason to interact, that end up finding a connection and helping each other, almost by accident. That shared connection and understanding that we’re all going through something hard and we don’t necessarily have to do it alone was a big part of wanting to make this short. And I also really like hiding really emotional earnest moments and ideas (in this case, confronting grief over the end of a relationship) inside of very silly high-concept comedy premises (i.e. homeowner helps a burglar rob his house). I think people can be way more receptive to a big idea or an emotional moment when they’re laughing first and they have their guard down.
Why is filmmaking important to you? Why is it important to the world?
I think stories are how we humans process the world around them. And I think we’re actually hardwired for it and it’s part of what makes us evolutionarily human. Filmmaking is just one particular extension of storytelling, but when times are tough, when work is hard, people turn to stories. They’re CRUCIAL. Some people think of it as just escapist, but it’s STORIES that humans use to keep them going, to process grief, to find joy and connection in life. Stories show us what’s possible.
How do you feel about your film being screened in front of a festival audience?
It's an incredible experience (especially when having made a comedy) to witness a live audience react to the film in front of them and have them be affected by it. The vast majority of a short film’s life will live online with people watching it by themselves on a phone or laptop, so it’s something really special to get to see it in a dark room together and get the confirmation that “Oh, yes! The jokes work! They’re laughing in all the right places!” Nothing can ever top a joke hard landing with an audience full of strangers.
BIOGRAPHY
Ballard C. Boyd is an Emmy Award-winning & Peabody Award-winning director & producer, based in New York City. and is currently a segment director and producer at The Late Show with Stephen Colbert, where he has directed over 150 segments on CBS.
His narrative work has been broadcast on CBS, Showtime, Comedy Central, HBO Family, Logo, E!, ESPN.com, and NBC.com, and screened at over 4 dozen film festivals.
He has directed commercials and branded content for brands including Google, Wild Turkey, Captain Morgan, Mountain Dew, 3M, DICK’s Sporting Goods, Bounce, LongHorn Steakhouse, ACE Brand, NRG/Reliant, and Popular Mechanics.
In 2021, he received a Primetime Emmy Award for Outstanding Variety Talk Special (Live) for his work on Stephen Colbert’s Election Night 2020 on Showtime; as well as a Peabody Award for his work on The Late Show with Stephen Colbert.
He lives in Sunnyside, Queens, NY with his wife & daughter.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Ouchie by Kyle Kuchta
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
A young woman discovers a mysterious lesion on her chest the morning after a disappointing tryst with a new lover. Throughout the rest of her day, she may or may not be the only one experiencing these unsightly symptoms.
Q&A WITH DIRECTOR KYLE KUCHTA
Kyle Kuchta, director of Ouchie
How do you want people to feel after they see your film?
We hope that there is grace and self-love discovered by our audience members; an opportunity to love yourself and be gentle with yourself in the face of any Ouchies you might be dealing with.
What was the biggest inspiration behind this film?
Lots of body horror, queer horror, films that had some levity while also dealing with some gnarly stuff.
What was your favorite part of making your film? Memories from the process?
We cultivated a very empathic and caring set for all parties involved, which is something we pride ourselves on. We also shot a scene at a local pharmacy, and the pharmacist surprised us by buying our lunch that day. Truly special.
What inspired you to pursue a career in filmmaking?
I've always been a social storyteller which, to me, means stories have involved other participants. So filmmaking is the storytelling medium that really lends itself to this. I love the camaraderie and collaboration that goes into making a film. It's a medium that so deeply requires an audiences' participation, too. It's an all-hands-on-deck art form, and I dig that.
What’s the last film you watched?
VHYes
Early bird or night owl?
Early Bird
BIOGRAPHY
Kyle Kuchta is a filmmaker born, raised and currently based out of Southeastern Connecticut. He graduated from Syracuse University’s (VPA ‘13) with a BFA in film and his first documentary feature Fantasm. Shortly thereafter, he moved to Los Angeles and remained working in the documentary world. 2018 saw the release of his feature-length documentary Survival Of The Film Freaks, a documentary about cult cinema co-directed with Bill Fulkerson. Later that year, Kuchta returned to Connecticut to focus solely on directing narrative work. His 2022 short “The Woodsman,” which has been recognized for Editing, Acting, and overall Best of the Fest(s) around the world. His most recent short “Ouchie” premiered at the 2024 Chattanooga Film Festival.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Sylvia by Ezekiel Goodman and Hannah Zipperman
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
A new divorcee decides to go after the only thing she wants in life.
Q&A WITH CO-DIRECTOR HANNAH ZIPPERMAN
Hannah Zipperman, co-director of Sylvia
What inspired you to create this film, and how did the initial idea come to you?
I wrote “Sylvia” during the quarantine portion of the pandemic, when my life felt very small and isolating. Living alone for the first time, I missed caring for and sharing physical space with someone else. I started watching a lot of Fosse and Twin Peaks and I just felt I needed to make a silly, but dramatic dance piece.
How do you want people to feel after they see your film?
I want them to feel hopeful! There is light on the other side of loneliness if we listen to ourselves and take care of ourselves.
What was a big challenge you faced while making this film?
My biggest challenge was money. Who has thousands of dollars lying around to make a short? I had to move back to my parents house for a year and work three jobs to make one 7 minute movie.
How do you approach storytelling in your films? What’s your process for developing a script or concept?
I like to write something and then come back to it months or sometimes years later. If something has been percolating in your brain for a while, you will have a more clear vision of what you want to actually write.
What’s your history with the Bushwick Film Festival?
This is my first time and I'm so excited!
What’s the last film you watched?
My Old Ass
Early bird or night owl?
Night Owl!
DIRECTORS BIOGRAPHIES
Hannah Zipperman is an actor, filmmaker, and theater maker from Los Angeles. She has a degree in Drama from Kenyon College, and has produced and acted in various plays and short films in the LA area. Sylvia is her directorial debut.
Ezekiel Goodman, co-director of Sylvia
Ezekiel Goodman is an actor and filmmaker based in Los Angeles. His first short film, Peacocking, won Best Narrative Short Film at the Oakcliff Film Festival. As an actor, he can be seen in Amazon’s I Know What You Did Last Summer, and will appear in the upcoming series Cruel Intentions, as well as Fernando Andres’ feature Rent Free, which premiered at the 2024 TriBeCa Film Festival.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Tea by Blake Rice
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
While rehearsing asking out the girl of his dreams, a lonely and highly allergic Circuit-Shack employee gets stung in the throat by a hornet.
Q&A WITH DIRECTOR BLAKE RICE
Black Rice, director of Tea
What inspired you to create this film, and how did the initial idea come to you?
I was inspired to create this film from a monologue from an incredible actor I saw years back, named Isaac Lee. He performed an original piece which displayed a character asking out the girl of his dreams, meanwhile they get stung in the neck by a horney - I thought, what a killer backdrop for a short film!
Why does this story need to be told now?
I think this story can be told ANY time...and that's it's purpose to me...I can fit in now, it can fit in any time. We/everyone can be lonely no matter the current events, and Tea is a comedy about the universal feeling of loneliness.
Describe who you want this film to reach.
As many people as possible. We try to make films as universal as possible. A goal with Tea was to be agenda-less. Without a topical angle, in hopes to live longer than a current film festival season!
What do you hope audiences will take away from watching your film?
I want people to not know what genre this project is....Our goal is to provide a unique expierience that the viewer has throughout this 12 minute journey.
How do you want people to feel after they see your film?
A tug on the heart chords.
BIOGRAPHY
Blake Rice is a New Jersey native and an award-winning director. His upcoming projects include DISC, starring Jim Cummings, and his debut feature The Empty Lot. These new works continue to showcase Blake's distinctive vision and storytelling prowess, following his previous successes such as PEOPLE LIKE YOU, which earned him the “Best Director” award at the 2019 New York City International Film Festival, and STEPS, a critically acclaimed drama that received Official Selection at the Sidewalk Film Festival and won the “Special Grand Jury Award” at the 2022 DeadCenter Film Festival.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: The End by Will Pinke
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
In this surreal noir-comedy, SAM (75), an aging, wannabe mystery writer struggles to finish his first detective novel before it's too late. Over the course of one eventful evening, the lines between his real and fictional lives begin to blur.
Q&A WITH DIRECTOR WILL PINKE
Will Pinke, director of The End
What inspired you to create this film, and how did the initial idea come to you?
This film is the result of a long-term friendship and collaboration between myself (33) and my lead actor, Bill Gold (77). In 2022, Bill e-mailed me out of the blue: “Will, I’m considering producing a short film which will give me an opportunity to play the lead role. What I need is a script and a director/producer. Are you interested?”. I told Bill I was, if he was willing to be patient and develop something together organically. Despite our 45 year age gap, we share many similar references and sensibilities. We set out to devise a project we were both equally passionate about and invested in, inspired by Bill’s life and by our mutual interests in comedy and classic noir films. For over a year, we met at a diner for lunch every month. I gave Bill homework to write down his memories, and he’d share his life story with me. Bill recounted endless strange, funny, and touching anecdotes, and let me in on his passions, dreams, regrets, fears, and anxieties. Over time, I built a character and plot based on everything I’d learned about Bill — a sort of fictionalized memoir, that I knew he’d connect with emotionally and enjoy performing. The story, about a man trying to finish his mystery novel before he dies, mirrors Bill's desire to make this film and cross off one of the few remaining items on his bucket list. The surreal moments in the film are all related to real details from Bill’s life. It’s been a joy to help Bill live out this fantasy and to provide him with a completely novel experience at the age of 77. Through the process, this project has become deeply personal for me as well. I am grateful for all of the humor, wisdom, and experience Bill has shared, and that he afforded me the opportunity to channel his life into a film that feels uniquely my own.
What was the biggest inspiration behind this film?
My lead actor Bill Gold's personality and life story. Particularly, Bill's passion and drive to pursue his dream of starring in a film for the first time, in his late 70s.
What was your favorite part of making your film? Memories from the process?
Bringing together a crew full of artists I love, trust, and admire,.
Can you tell us about the central themes of your film? What message or emotion did you hope to convey?
It's never too late to follow your dreams. Life is short and unpredictable, your passions are worth pursuing while you still can. Take joy in the process, even if the end result is uncertain.
Were there any films or directors that influenced your approach to this project?
Directors: Hitchcock, Buñuel, Kaurismäki, the Coen Brothers. Films: After Hours, The Long Goodbye, Inherent Vice, Dillinger is Dead, Out of the Past, The Big Sleep, The Maltese Falcon, Double Indemnity
If you weren’t a filmmaker, what would you be doing?
Astronaut, Therapist, or Astrotherapist
What’s your history with the Bushwick Film Festival?
Bushwick was the first neighborhood I lived in when I moved to New York in 2014. This will be my first time attending the festival, but it feels like a full-circle moment to premiere this New York film where my life in New York began!
What’s the last film you watched?
Being John Malkovich
What’s the last book you read?
Black Wings Has My Angel - Elliott Chaze
Early bird or night owl?
Night owl
BIOGRAPHY
Will Pinke is a writer/director/producer from New Jersey, based in New York. Will attended Princeton University where he studied Literature, Creative Writing, & Film History/Theory. He graduated with an MFA degree in Directing & Screenwriting from the Columbia University School of the Arts in 2022. His stories mix genres in surprising and inventive ways.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: The Jasper's Experience by Jake Bakirdan
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
Experience a night in New York City’s wildest deli.
Q&A WITH DIRECTOR JAKE BAKIRDAN
Jake Bakirdan, director of The Jasper’s Experience
What inspired you to create this film, and how did the initial idea come to you?
What inspired me to create The Jasper's Experience was growing up around this neighborhood and witnessing both the chaos of the block and the love that so many people have for Jasper's. I have seen crowds in the hundreds on this block all gathered in and around Jasper's. The deli brings together many different walks of life, often times causing clashes between the students from the nearby college, locals from other parts of the city, and neighborhood locals who have fought to get a sandwich on the deli's menu. Seeing these groups coexist and, oftentimes clash made every late night trip to Jasper's an event in and of itself. I wanted to tell the story of Jasper's and show others what it is to experience a night at Jasper's Deli, and highlight the uniqueness of the business.
Describe who you want this film to reach.
I'm not sure that when making this film I had a target demographic in mind. I knew that as a new york native, this deli was unlike any other I had been to, and I definitely wanted to show other new yorkers what makes the deli so special. Whenever I would have friends from other boroughs come up and visit, I would oftentimes find myself saying "we have to go to Jasper's one night" and telling people some of the wild stories I have from my visits to Jasper's. However, as I was making the film, I also thought about people who have never been to the city, or those who have visited but only experienced a small, touristy representation of nyc. I think that the deli is not only unique when compared to other delis in nyc, it also portrays a slice of life in the bronx that I think many, whether locals or not, will be intrigued by. That being said, the film was not made for anyone in specific, I simply wanted to highlight and show love to a deli that I and many others in my community have called home.
What was your favorite part of making your film? Memories from the process?
Definitely learning Rocco's story and seeing how much he sacrificed and also how much he has provided for the community over the years. Going into the film, I intended to highlight Jasper's from the perspective of someone who has been both a spectator of the drunken chaos and also a member of said chaos. However, upon my first interview with Rocco, it added a deeper layer to the film for me. I had always known Rocco and he was always looking out for the neighborhood kids, overseeing his kingdom from behind the counter. But once I got to know him through the interviews I realized just how much he gave up when he immigrated to this country, and he himself pointed out the dichotomy between his upbringing as a devout muslim, as well as the fact that he still practices, and he noted to me during filming he is constantly surrounded by drunk people, without ever having had a a drop of alcohol. He also noted that seeing the drunken patrons has definitely convinced him to continue abstaining from alcohol.
What was a big challenge you faced while making this film?
Actually finishing the thing. Even now, I think about things that I missed, or locals I wish I interviewed, or even just some of the footage that didn't end up making the final cut. With documentary, the story is told through the edit and during the post process, I had so many different interviews and moments I wanted to include but just couldn't find the space narratively for them. I still have moments today where I will be around Jasper's at night and wish the camera was rolling.
What is something that all filmmakers should keep in mind in order to become better cinematic storytellers?
Maybe this doesn't answer the question, but what I would say is make something you like. Maybe it seems like an obvious anecdote, but during the filmmaking process, especially if there are many hands on deck and expectations from a client or a studio, your own story or project can become one that you no longer resonate with. I think that by understanding yourself and what sorts of films/stories you enjoy, it will allow you to better tell your stories how you want them to be told. At the end of the day, it's your film, your story.
BIOGRAPHY
Jake Bakirdan is Turkish-American actor, filmmaker, and producer from the Bronx. Jake is currently the Director of Operations at Wrecking Crew Pictures, his production company. He and his team are always striving to tell stories that are real, gritty, and deserve to be heard. Whether in front of or behind the camera, Jake is always happy to be on set working, making connections, and telling the stories that need to be told.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: This Boy’s Vida by Adrienne Acevedo Lovette
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About The Film
Based on true events, with the help of his imaginary future self, an American Latino boy who dreams of being an actor turns "Robinhood" to feed his starving sisters, until the system catches up with him and forces him to choose between his family or dreams.
Q&A WITH DIRECTOR ADRIENNE ACEVEDO LOVETTE
Adrienne Acevedo Lovette, director of This Boy’s Vida
Can you tell us about the central themes of your film? What message or emotion did you hope to convey?
THIS BOY'S VIDA holds a personal significance for me as the director, having grown up in a low-income household myself. This story of a young Latino boy navigating poverty while caring for his sisters, based on Joseph Castillo-Midyett’s own personal life as a child, resonates deeply with my experiences. Through THIS BOY'S VIDA, we aim to shed light on the strength and resilience within the Latin American community. Drawing from our personal upbringing and the stories of others, we strive to challenge perceptions, break stereotypes, and foster understanding of the complex factors contributing to poverty. We infused the storytelling with authenticity and emotional truth, creating a visually captivating and emotionally resonant narrative. We want to inspire and empower viewers who have faced similar challenges, offering a renewed sense of hope and self-belief, letting them know that there’s circumstance does not have to dictate their future. THIS BOY'S VIDA is a project that amplifies the voices and stories of those who have navigated poverty in the Latin American community. Together, we will illuminate the indomitable spirit that emerges from difficult circumstances.
Were there any films or directors that influenced your approach to this project?
From the beginning, I was inspired by films like Berry Jenkins "MOONLIGHT" and Garth Davis' "LION", which I felt were similar perspectives and visuals of an untold story.
Films are lasting artistic legacies; what do you want yours to say?
Part of why I love filmmaking is that you leave a visual part of yourself on this earth. Throughout my filmmaking career, my purpose for creating visual stories has changed from pure entertainment to giving platforms for underrepresented voices, specifically putting a spotlight on the "sidekicks" story. I consider myself an underrepresented individual, and when you do not see yourself on screen, it makes you feel like you don't matter...a type of "symbolic annihilation." I want to be a part of the change shining the light on human stories from all walks of life and leaving a mark of work that brings people together.
How do you feel about your film being screened in front of a festival audience?
I hope the film affects an audience to the point where they talk about it and make them think about the topic and story. If you leave the theatre still talking about it, we've done our job.
One thing people don’t know about me is ______.
I can see ghosts.
BIOGRAPHY
Adrienne Acevedo Lovette is an award-winning director, actor, writer, and producer based in New York. Born in Puerto Rico and raised in Florida, she founded The Garage Productions, focusing on stories that amplify underrepresented voices. Adrienne has garnered numerous accolades for her work across various genres.
Adrienne is a SXSW audience award winner and Sundance Collab film challenge winner. Her feature film I'M OKAY, WE'RE OKAY won Best Feature Film, Best Cinematography, Best Actress, and the NY Filmmaker Award at CHAIN NYC Film Festival, as well as Best Actor and Best Actress at Catalina Film Festival. Her film THIS BOY'S VIDA (MADE IN AMERICA) earned the Caz Matthews Award for diversity, Best Writing (Joseph Castillo-Midyett) at SeriesFest, and Best Futuro Series at the New York Latino Film Festival. Additionally, her horror short HIDDEN DAYLIGHT won Best Film at Phoenix Comicon, Best Short Film at Freak Show Horror Film Festival, and she was named a Women in Horror Honoree at FEARnyc.
As an actor, her favorite Film/TV credits include THE PENGUIN, BETTER CALL SAUL FOSSE?VERDON, THE DEUCE, and THE EQUALIZER. For more information please visit www.DirectedByAdrienneAcevedoLovette.com or check out her work on IMDB!
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Working Group by Danny Dacosta
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About The Film
A dedicated group of university students attempts to connect with custodial workers on campus and find ways to help them in this verite-style documentary.
Q&A WITH DIRECTOR DANNY DACOSTA
Danny Dacosta, director of Working Group
What inspired you to create this film, and how did the initial idea come to you?
When I was a sophomore in college, ResLife student workers organized and formed the first voluntarily recognized student union at a University in the nation. They did this through a student organization called the United Student Labor Action Coalition (USLAC). My curiosity and admiration for these students grew as I watched them negotiate a new, fairer contract with the university and eventually joined them in their rallies and protests. I got to know members of USLAC and soon enough they became my friends. Eventually, as a senior with the opportunity to create a documentary for my film thesis, I knew I wanted to create something that spotlighted the incredible work I was witnessing this group accomplish. At the same time, I wanted to show how difficult student activism can be and the sheer dedication these students had for helping workers on campus. When I found out that their new goal was to reignite a previous campaign in support of custodial workers, I knew I wanted my film to help draw attention to the issues they were learning about. I chose to adopt an observational style to show audiences how much work can go on behind the scenes in the world of student activism.
What was a big challenge you faced while making this film?
Typically, observational films take very long periods of time to film, as to allow the story to unfold naturally in front of the camera. Unfortunately, my filming period for creating a film thesis at my university was restricted to only the fall semester, or a mere three months of filming. While I held onto the hope that progress would be made, there were definitely moments when I was unsure of what the group would accomplish by the end of the semester. Therefore, I had to balance how much encouragement and involvement I had in the group's activities as I made them aware of my own filming restrictions. At times, I thought I would have to become a character in the film in order to make the story work – even though I believed my presence would distract from what I wanted the film to actually be about. Luckily, my worries were relieved and the group made significant progress by the end of the semester, progress I was able to document just as I had originally intended.
Why is filmmaking important to you? Why is it important to the world?
Filmmaking is not only an intensely collaborative medium that requires the creation of strong, trusting relationships between all involved, it is also a wonderfully accessible medium to share with others. Through filmmaking I have been able to get to know fascinating people and help share their stories with anyone willing to watch for just a few minutes. Documentaries in particular can accentuate the extraordinary work of everyday people. I love that the product can both spread awareness about nearly any topic while also being entertaining to potential audiences. At my school’s screening of the year’s film theses, USLAC members and I handed out pamphlets that told attending students more about the issues they would see in my film and how that could get involved during the following semester.
Can you talk about the festival experience? How does it feel to have your film selected?
I am of course incredibly honored to have my film accepted into this festival! Having just graduated college, it feels like participating in this festival with my film thesis is a fantastic transition from pursuing my passion for film in school to developing a professional career in the industry. It is very validating to have my film selected among the phenomenal work featured in this festival and inspires hope in me that I may continue working in film after graduation. I’m thrilled to see the other filmmakers’ work and learn more about their projects and process. Likewise, I am excited to see the work of my film’s subject, USLAC, celebrated outside of the Wesleyan community. I love being able to honor other people’s efforts with my own work!
What’s the last book you read?
The last book I read was To The Lighthouse by Viginia Woolf. It’s the second Woolf book I’ve read and although it was a challenge, I loved the way she played with the pacing of her novel, allowing moments to linger for hours and years to pass by in seconds.
Early bird or night owl?
Night owl!
BIOGRAPHY
Danny Dacosta grew up on Long Island, New York and went to film school in Middletown, Connecticut. At school, Danny worked on a number of other student film projects, taking on a variety of roles from sound recordist, to assistant director, to director of photography. Through his classes and work on student documentaries, he discovered a profound passion for documentary filmmaking, culminating in his film production thesis “Working Group.” Now, having recently graduated, he has moved back to Long Island and is interning at a documentary production company and hopes to continue working in documentary filmmaking.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Virgencita by Ana Isabel Dow
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
While living with her ailing ABUELA after her mother’s death, six-year-old LUCÍA comes face to face with an insatiable deity. Can Lucía find a way satisfy its hunger in order to be granted her wish?
Q&A WITH DIRECTOR ANA ISABEL DOW
Ana Isabel Dow, director of Virgencita
What inspired you to create this film, and how did the initial idea come to you?
I wanted to honor my abuela, who died of lung cancer in 2005. I also recently became a mother, and have begun thinking about how foreign my traditions, culture, and language must feel like to her.
Can you tell us about the central themes of your film? What message or emotion did you hope to convey?
I wanted to examine the fragile nature of belief, and how our individual perspective informs our understanding an events. What may feel like a god-given miracle to one person can simply be a good day to another one.
Were there any films or directors that influenced your approach to this project?
My approach to this script was influenced by Stephen Spielberg's approach to filming childhood encounters with the supernatural.
What inspired you to pursue a career in filmmaking?
I came to this industry by way of acting. I started making films when I got frustrated at the kind of stories I was seeing on screen. I wanted to write stories that reflected who I am and where I come from - stories about Latine women and their relationships with each other.
If you weren’t a filmmaker, what would you be doing?
I took my first break this summer after 5 years of nonstop working on my film degree, and I spent most of it gardening so I guess maybe I'd be growing produce somewhere.
What’s the last book you read?
I'm currently reading The Long Island Compromise. Or I was until it gave me so much anxiety I had to put it down for a bit. It's a lot of fun, but this writer doesn't shy away from torturing her characters (and us).
BIOGRAPHY
Ana Isabel Dow is a Mexican screenwriter, director, and actor with an interest in character-driven narratives that spotlight Latina protagonists. Her profound irreverence for established gender and social norms is informed by her experience as a queer first-generation immigrant.
Her short film, Virgencita, was awarded a grant for underrepresented filmmakers by 3Pas Studios, premiered at LALIFF, and has gone on to screen at NYLFF, Eastern Oregon Film Festival, and Micheaux. She recently served as a Young Mezcal jurist at the Guadalajara International Film Festival, and was the 2024 Columbia University nominee for the Princess Grace Award, which recognizes extraordinary emerging artists in film.
Ana Isabel has a BFA in Drama and Psychology from NYU Tisch School of the Arts and an MFA with honors from Columbia University, where she taught undergraduate screenwriting and organized with SWU (UAW Local 2710). She is a proud SAG-AFTRA and AEA member.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: The Untitled Performers Project by Ian M. Adelson & RJ Brown
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
A short documentary featuring the lives of two New York City performers - RuPaul's Drag Race superstar Brita Filter and burlesque household name The Maine Attraction. As the two interview each other through areas of tragedy and triumph, the film follows each in their personal lives leading up to a live performance.
Q&A WITH THE CO-DIRECTORS IAN M. ADELSON & RJ BROWN
RJ Brown & Ian M. Adelson, directors of The Untitled Performers Project
How do you want people to feel after they see your film?
We want people to feel connected to others. Part of the film features the isolation everyone endured during the COVID pandemic, and the point of this film, as with a lot of performance art, is to feel that we're all here for one another, together in our artistic communities.
What was your favorite part of making your film? Memories from the process?
Being let into the lives of two unique performers - not just in their artistic circle, but in the nuances of their every day lives - was something special as documentarians. You really get to learn who people are in the details, and this was especially the case with our subjects.
Can you tell us about the central themes of your film? What message or emotion did you hope to convey?
Compassion, Resilience, Joy, Courage. This film is about how we lift ourselves up with the spirit of a community that binds us.
What inspired you to pursue a career in filmmaking?
There are certain films that elevate your emotional understanding of life and art. We want to do the same for other people.
If you weren’t a filmmaker, what would you be doing?
Pastry Chef
What’s your history with the Bushwick Film Festival?
We've screened with Bushwick a few times over the last several years and it is always, truly, a blast. Great films, great staff, great events and opportunities to meet other up and coming New York City filmmakers. Really couldn't ask for more out of a festival.
What’s the last film you watched?
Kneecap
What’s the last book you read?
The Stanley Kubrick Archives
Early bird or night owl?
Night Owl.
BIOGRAPHIES
Ian M. Adelson is an award-winning American director, and former associate producer of the Apple TV+ series, DICKINSON. Adelson’s films have screened worldwide in Oscar-qualifying festivals and streaming, while his music videos have garnered over 10 million views online. As a commercial director, Adelson has led campaigns for some of the world's biggest brands. Adelson was raised in the San Francisco Bay Area and attended the University of Michigan's film program for directing before coming up through the ranks of production in New York City.
RJ Brown is an actor, producer, and director living in Brooklyn, NY. As an actor, he can be found on HBO, CBS, NBC, CW, and most recently as Caleb in Netflix's 13 Reasons Why. His producing includes the off-Broadway hit The Woodsman. He shares his passion as a filmmaker at Floor 1 Productions and is a proud graduate of the University of Michigan’s esteemed Musical Theater department.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Pushover by Brian Lederman
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
Q&A WITH DIRECTOR BRIAN LEDERMAN
Brian Lederman, director of Pushover
What inspired you to create this film, and how did the initial idea come to you?
There's this old-school musical instrument and equipment company that I used to buy gear from. Months after a purchase, I'd get a call out of the blue asking me if I was enjoying the gear. Very kind, but always struck me as a tad strange and a little awkward. Those experiences, in addition to constant emails from Amazon asking me to "Please review a purchase." led to this darkly funny visual of someone being held hostage at these companies, their lives on the line while attempting to be as fake-nice as possible. I just found that really absurdly funny. That was just the initial germ of the idea. All of the headier subtext came later.
Why does this story need to be told now?
All of our situations and circumstances are more alike than they are different. No matter what part of the state, country, or world you're from. Civil conversation has taken a backseat to vitriol and histrionics. We fight each other instead of institutional power. We need to come back together and remember compassion. We're all in this together.
What was a big challenge you faced while making this film?
All of it was a challenge! I mounted it myself from the get-go, took out credit cards, put my mental health on the line, all of that fun stuff. But more specifically, the paperweight prop caused quite a few aneurysms until I found an amazing craftsman and collaborator in Christine Pfister. Also, RIGHT as we started shooting on the first day, a Labor Day parade started down 5th Avenue, a week after Labor Day. No fun for sound. Yet, we made it through. Any film ends up being some kind of miraculous accomplishment, I think. I've always felt that you need to be a little crazy to even attempt it.
Tell us an anecdote about casting or working with your actors.
I got so lucky with the amazing Josh Tobin in the lead! At my day job, we work with quite a bit of the NYC comedy community, Upright Citizens Brigade, etc. I needed to cast a role in a sketch we were shooting, and Josh was recommended. I already had the script for Pushover and wasn't looking forward to a casting call because of the specific nature of the role. As we were shooting the sketch, it became obvious to me that I had found my guy. He fell into my lap!
Why is filmmaking important to you? Why is it important to the world?
It's the perfect merger of every previous art form and medium. Literature, music, painting. It's all of those things combined, the paintings now moving. I believe that if you're lucky and manage to get all of these things vibrating and working together at just the right frequency, it's possible to convey an idea or emotion more powerfully and coherently than in any one of those mediums by themselves.
BIOGRAPHY
Brian is an emerging writer/director based in the New York City area. Over the past few years he's done things like direct dramatic narratives, edit reality television, and write sketch comedy. “Pushover” is his second short film and, after working almost exclusively in the YouTube space for several years, a return to his more passionate, cinematic roots.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Filmmaker Profile: Good Grief by Megan Chumbley
Welcome to the Bushwick Film Festival Q&A series, where we introduce you to the incredible filmmakers behind this year's lineup. Each of these talented storytellers has crafted a unique vision, reflecting diverse perspectives and powerful narratives that resonate deeply with audiences today. In this series, you'll get an inside look at what inspired their work, the challenges they faced, and the creative processes that brought their films to life. Through candid interviews, they share their thoughts on the impact of their films, the themes they explore, and their hopes for how audiences will connect with their stories. Whether you're here for drama, comedy, documentary, or experimental films, these filmmakers are sure to inspire you with their dedication and passion for the craft. We hope you enjoy getting to know the voices behind this year's festival as much as we have enjoyed bringing their films to our screens. Let’s dive into their stories!
About This Film
What should be a sober memorial devolves into a chaotic frenzy as a young woman’s attempt at coping with her father’s suicide is derailed by her self-centered family.
Q&A WITH DIRECTOR MEGAN CHUMBLEY
Megan Chumbley, director of Good Grief
What inspired you to create this film, and how did the initial idea come to you?
There was a suicide in my family and I felt inspired to tell a story that captured the myriad of ways in which people respond to such a shocking and unfathomable death. I think that most people going about their lives avoid "big feelings" and I think that it is especially true with suicide– it's a lot easier to act like nothing happened rather than face the emotional reality of the situation.
What was your favorite part of making your film? Memories from the process?
My favorite part of the process was shooting it. We filmed the entire short in two days and had such a great collaborative energy on set. Even during the more heightened emotional scenes we were able to maintain a positive and collaborative working environment.
What was a big challenge you faced while making this film?
We have a large cast of really great actors and I would say the biggest challenge was putting the puzzle pieces together of the casting process and casting people who looked and felt like they were related.
How do you approach storytelling in your films? What’s your process for developing a script or concept?
I always start with an image or a line of dialogue and then word vomit ideas on a notes app on my phone– then I start going through the notes and try to make sense of the story and go from there.
Can you talk about the festival experience? How does it feel to have your film selected?
It is so exciting to be a part of Bushwick Film Festival this year– this will be our New York premiere and we are so grateful and excited to share this story with audiences in New York.
BIOGRAPHY
Megan Chumbley is an up-and-coming queer director who likes to make an audience squirm. Good Grief, a dark comedy short film about a dysfunctional family in the aftermath of a suicide, audiences in laughter and tears. Baby Yoga, a horror comedy short starring lots of pregnant women, garnered attention at BEYONDFEST 2023 for its “hilarious and disturbing” imagery. Their dark comedy Pool Party——about a trans woman combating microaggressions——captured hearts at OUTFEST and NewFest 2023. The Current, a short film about sexual violation told from the POV of the assailant, premiered at Woodstock Film Festival 2022 and received the Audience Award at Boundless Film Festival.
Thank you for joining us for this special Q&A with the filmmakers of the Bushwick Film Festival. We hope this conversation has given you insight into the artistry, dedication, and heart that went into bringing their films to life. Each of these creators represents the spirit of independent filmmaking—fearlessly telling stories that reflect the complexities of our world and the personal experiences that shape us. As you continue exploring this year’s lineup, we encourage you to dive deeper into these works and discover the powerful messages, emotions, and perspectives they offer. Whether you're a long-time supporter of indie films or a newcomer to the festival, your engagement and curiosity make all the difference in uplifting these voices. Stay tuned for more filmmaker spotlights, and we look forward to seeing you at this year’s screenings. Let’s continue celebrating the magic of storytelling together!
Volunteer Spotlight: Narrative Short Picks
Written by Victoria Hubler
As BFF Volunteer and recent drama school graduate in New York, I’m excited to share my top picks from this year’s outstanding lineup. These films explore powerful themes, from the complexities of family dynamics to deeply personal journeys of self-discovery. Whether it’s the humorous tension of navigating awkward social situations, the emotional depth of confronting loss, or the quiet resilience of a woman reclaiming her identity, each short presents a unique and compelling narrative. Join me as I highlight these must-see selections!
Tea by Blake Rice
